The portion of Book II of the Aeneid beginning at token 57 and ending at line 194, in which Sinon convinces the Trojans that the wooden cavalry should be brought inside their walls, is a masterful discover of deceit. We shall see that Sinons skill consists in constructing a story that is slick in its portrayal of human psychology, appealing to Trojan prejudices, and large of pathos, and telling it in a way that is suspenseful, flattering to his audience, and splendid and forceful in language. His general method is to involve and corrode the Trojans in his tale to such an extent that any unrefined cynicism is suppressed. The episode can be divided into two halves. In the first half, Sinon leads the Trojans through a series of responses - first mockery, consequently curiosity, then kindness, then pity - in an effort to meet their trust. In the second half, Sinon uses this trust to convince them that the Trojan gymnastic horse should be brought inside their walls. In this essay, I shall focus on the first half of the episode (lines 57-144) and trace the narrative growth of Sinon, elucidating its efficacy, and commenting on notable language as it occurs. Sinon begins his tale with unavailing despair: his first word is Heu and using anaphora of quae he lends his lamentation rhetorical force.
Moreoever, the extended vowel sounds (quae me aequora), elision and preponderantly spondaic scansion convey a mournful tone. A extend dog implies the inferiority of the asker, and so by phrasing his laments as rhetorical questions, Sinon asserts his helplessness in the face of fate and the Trojans. Significan tly, Sinon gives secondary veritable infor! mation in his opening words, only mentioning that he was unwelcome among the Greeks (neque apud Danaos) - i.e. he gives the Greek-hating Trojans what... If you want to get a full essay, monastic order it on our website:
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